6th work in the series of 8 and partially the reason as to why this cycle is named “Hubble series”. If prints are planned artworks, the marble paper is pretty much a chance and random based thing, expecially if you’re using oil paint and miscalculate amount of diluent to use…<\/p>\n\n\n\n
Not to say that it was the case here. It wasn’t. But still precise planning and execution is relatively hard when working in this technique. On the other hand we can reuse and incorporate elements left from previous work cycles (zoom in on the background), even if they are merely “tiny blobs of paint”.<\/p>\n\n\n\n
Actually, I’d say that it gives adds significant amounts of texture and feel to work shown and in a way becomes integral part of it. For the fun of it lets imagine that background is either entirely “digital white”or “digital black” (“digital” here refers to colors with hex values of #FFFFFF and #000000 respectively)… Entirely different look, right?<\/p>\n\n\n\n
Here’s next artwork in series (now you don’t have to go back, scroll and click again! Reusing this line 6th time):<\/p>\n\n\n
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